Why This Image Was So Important. To Me.

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“Perfect Imperfect” (Germany, 2020)

About two months ago, I was walking around the town of Brüggen with the dogs and I captured a couple of frames. With those of the posts against the sky I had a feeling, there could be a keeper among them. You know when you feel there is something there, you might not exactly know what yet, but there is definitely something of interest.

At the time, I “only” had a Nikon Coolpix P7000 with me, which beats the iPhone, but it could have been better. After printing it on an A4 sheet though, the resolution proved to be good enough. At 3648×2736 pixels, I could print at about 9×12 inches at 300dpi. But enough about the technicalities.

This image is not important to me because it proved I can take the P7000 with me without having to be afraid I will be disappointed. It is important because I needed an image like that right now to feel good about where I am going with my photography.

I have been making photographs of nature most of the time and looking at my website, most people would probably classify me as a landscape photographer. But looking at those images (and I do look at them often because on the wall I am facing when sitting at my desk, are about 20 of them) I was asking myself what it is I am looking at. What did I see there? What was the thing that connected all of them? And for a while, I felt I was getting closer to an answer and strangely enough during that time I was almost afraid of making new photographs as if this could disturb the process of finding out what my images were really about.

But then in May, I found the image above, which I eventually named “Perfect Imperfect”. And it sat there for a couple of weeks before I got to edit and print it. For one thing, I found out that I really need to print my images to feel I am done working with them. And then I felt that this image for the time being, for right now, best represents what I am as a human being and a photographer (totally avoiding the a-word. I have talked about why I don’t feel comfortable calling myself an “artist” before).

The sky looks like marble or an angry sea or just as what it is – dramatic clouds. And the post, as strong as it seems, just doesn’t hold up against the sky, something nature created literally out of thin air. So the wires enter the frame but leave it again right away like the human-made portion of this image just knows it can’t compare to the marble/wave/sky. I like how Chip Forelli divides his landscape images into three categories: “No Man”, “Hint Of Man” and “Hand Of Man” (see these at chipforelli.com). I would put “Perfect Imperfect” into the “Hint Of Man” category and I will keep photographing in those three, maybe less in the “Hand Od Man” category just because I don’t like it that much.

There is no doubt mankind has achieved many great things and we can be creative and just plain wonderful. But apart from that, we can also be the complete opposite, we as a whole seem to forget ever so often that nature is where we came from and where we will go back to. That it is there where we are all connected. That every photograph of nature is a selfie really. And so the images from the “Hint Of Man” category will mostly show us what we really are and what we think we have to be. The sky is who we are and the post is the mark we think we must leave.

It is exciting to see the path ahead clearer now and to realize why I love the photographs I make.

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